Two weeks in the Arctic
I was lucky to spend two weeks studying seabirds in Varanger, Northern Norway. The area is famous for the wintering King Eiders and Stellers Eiders that can be seen in the harbors, but other more common species like the Long-tailed Ducks were also lovely to see. I lived close to a Kittiwake colony at Ekkerøy, and Purple Sandpipers were everywhere. Despite the low temperatures and cold wind, I spent most days outside painting in the snow. This was an interesting experience since the watercolors froze instantly, creating unexpected effects on the paintings. Ofcourse, the circumstances were not ideal, but that is the point of painting in the field for me - I get different results. If my fieldwork looked the same as the studio work, what would be the point?